![]() Interactives tend to be more lengthy / detailed / staged / reactive in their approach, so high attention must be focussed on every aspect of the design in order to maintain the user’s attention, interest, dwell time and return visits, depending on the objectives of the app. Slavery footprint A vital aspect of any information design is UX, something even more pertinent in an interactive design. We’ll kick things off with one of our favourite infographics of any format across the web. Click on the images to have a go of each interactive infographic yourself… Let’s dive into some striking interactive infographics Here, we will share a few of our favourite interactive infographic design examples, including surveys and live and historical data mapping. You can have a look for yourself on the Gapminder site.Other present-day pioneers in interactive visualisations in journalism include The New York Times and The Guardian, whose renowned Data Storeand Datablog, edited by Simon Rogers, is perhaps the leading data journalism source in the UK. Gapminder developed the Trendalyzer software used to create Rosling’s visualisations converting international data and statistics into interactive, moving graphics. ![]() In addition to this, Rosling co-founded the Gapminder foundation – a non-profit venture promoting sustainable global development. In Hans Rosling’s hands, data sings.” His interactive visualisations play a part in his talk that cannot be underestimated. With the drama and urgency of a sportscaster, statistics guru Hans Rosling debunks myths about the so-called “developing world”. As the synopsis says: “You’ve never seen data presented like this. If you have 20 minutes to spare, there are few better ways to spend it than watching the Swede’s 2006 presentation. As with any good infographic or visualisation, the data is key, something that Rosling highlights with passion in his fascinating TED talk Stats that reshape your world view. Revered statistician, public speaker and professor Hans Rosling created perhaps some of the most memorable interactive visualisations. A key figure is Jacques Bertin, whose Semiology of Graphics, originally published in French in 1967, classified the use of visual cues to display data and relationships, The system used seven visual variables: position, form, orientation, colour, texture, value and size, combined with a logical link between data and visual elements Michael Friendly, Professor of Psychology at York University, Ontario, discusses the author, who passed away in 2010, in his Data Visualisation Gallery, saying: “No gallery of data visualisation can be complete without paying tribute to Jacques Bertin.” So where did it all start? To answer that, we must go back to the foundations of information design and data visualisation. In this way, an interactive infographic, according to Visual.ly, allows a viewer to “interact with the data”, meaning a more memorable experience and ‘take-out’ potential.Ī growing force in the information design world, googling the term “ interactive infographic” now yields nearly 5.5 million search results, while Visual.ly plays host to almost 1,000 examples of interactive work, the majority of these created with programmes such as HTML5, CSS3, D3 and Adobe Flash. This combined with information design is a winner then, surely? Interaction is defined as “when two or more people or things communicate with or react to each other”.
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